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Topic: The Music Thread

Posts 1,541 to 1,560 of 1,584

Ravix

@GirlVersusGame that's really cool. Hopefully some of the good kind of nostalgia coming from it, too. Have you been listening to a lot of the bands since finding this treasure trove of your past?

For me, I can't place my music taste as I grew up with all kinds of alt-culture alongside the normal bikes and football/always outside childhood. I know I was weird before people knew it was cool to be weird, and I know I directly influenced people in the first year of high-school to join me on that weird side. Not that i'm a bad influence at all, wouldn't dream of it. I had stacks of my older brothers CDs and i'm proud to have converted a bunch of fairly nerdy/shy people into metalheads, punks, goths/emos and generally rowdy motherfluffers 😁 describing me as a social wrecking ball would give actual wrecking balls far too much credit for the damage they cause. I am far worse than that, haha.

Full-on emo (lets call it 'dress up emo') music specifically I know happened for me just because people said I was an emo, when really I was just highly emotional and clearly very awesome, and of course I liked some alt and emo adjacent music (silverstein, alkaline trio, UnderOath etc) then girls would buy me full-on emo cd's and thus I played into that for attention, naturally, but I ended up really liking some of it. I know I never listened to MCR until someone bought me a random album, for example. As I thought they were just an image, rather than a good band. Little did I know i'd really enjoy them and that album would become one of my favourites.

Now you've got me all nostalgic again. I haven't had a lot of music on lately tbh, though. I will drift in and out of listening to stuff. But thank you for the nostalgia hit 😄

Hopefully all is well, I haven't really been able to have many long conversations on here for a while, and still might not. But the odd chat about shared interests with people is still managable. So I will try to keep up with people on here for that 😄

When it seems you're out of luck.
There's just one man who gives a f*************ck
⚔️🛡🐎

GirlVersusGame

[Edited by GirlVersusGame]

These violent delights have violent ends & in their triumph die, like fire & powder Which, as they kiss, consume.

Bluesky: justkoshechka.bsky.social

Ravix

@GirlVersusGame i'll try to answer a couple of things in a weird order, as usual 😛

Ohhhh, buy them for me as in gift them to me. Sometimes I just assume my words will be understood but they can be misconstrued 😅 It was kind of a tongue in cheek thing, but a lot of the girls were actually incredibly emo at the time, the full on dress-up aspect and everything, so I just went with it. There were probably about 5 emo girls to every one emo boy, too. And yeah, I liked my screamo, metal, punk, rap, nu-metal etc, but they would call me an emo like a term of endearment (or maybe to convert me 🙊) it is hard to explain because they would wear enough make-up and hair dye for an entire town so it was ironic that I was the emo in that situation 😛. If you saw me playing sports, or in the crowd at the football, for example, you wouldn't say, oh that chap's an emo, what what. But we were young and free, it didn't really matter. But in the end I ended up liking some of the more obvious emo scene bands, too, because I then actually listened to the cds because you have to give things a go. So yeah, that was kind of a portion of my musical youth. I also played in bands throughought my teens and beyond, but it was mostly heavier stuff, but because i've always been a sad, pretentious, arty type there is always some of that 'emo' DNA in there, too.

I do have a habit of saying 'was' about anything related to nostalgia, but I do know i'm still awesome, don't worry about that 😛 (normal people might have said thank you for those kind words, but that is not my jam, so apologies for that.) just ask @Tjuz, he absolutely adores me 😘 (i'm actually going to use this as a way to say hello to that fellow now, too) I know I noped out of conversations with you both as I fell off time spent on here. It isn't you, it's me.

Anyway, I hope you are both well. Glad you seem to have got some rest and recovery, Kat. And sorry to hear it all became a little too much for you and you had to go through that recently. Find as much time as you need for your own self-care. It will always be important, even if you aren't expecting a crash, always try to find time for yourself to relax and reset. Like, seriously. This is the serious part. Heed my words etc. Take care of yourself.

@Tjuz I can actually turn this back to music, shockingly, as Eurovision should be coming up some point this month, right? I feel like we found that was a shared interest we had, shocking as it may seem. The bad boy from the wrong part of town and the (well, you love pop music anyway, so that part kind of makes sense as Eurovision is a pop heavy song contest) hmm, i've trailed off from imagining it as some kind of musical/movie production where we somehow meet at Eurovision, haha. Ah, you've all missed this, right? The absolute nonsense that comes out of me. What better way to end a comment. Peace and fluffing! Believe!

When it seems you're out of luck.
There's just one man who gives a f*************ck
⚔️🛡🐎

Metonymy

@StitchJones Sorry to hear it, I’ve really enjoyed our chats. That said, I totally understand, man. Internet discourse can be exhausting and patience , grace and plain old fashioned decency seem to be in short supply. Keep well. Cheers!

“Reason is the natural order of truth; but imagination is the organ of meaning.” -C.S. Lewis

Tjuz

[Edited by Tjuz]

Tjuz

Ravix

@Tjuz well... that had far more put in to it than I would have expected. I laughed, I cried, I really hoped you'd just fed a loose concept into AI for your own sanity and didn't actually have to write all of that 😭😂 but I feel it was written with both a love and a hate, and perhaps I need to just hold you now. Maybe it is the strain of writing a movie together, maybe it is those years we have already lost never knowing each other. (Maybe i'm just an annoying **** haha) 🥺

I had thought we had a full on conversation about Eurovision tbh, maybe it was just that you used to watch it with someone and I posted a few songs. My brain cannot be relied upon for remembering things like that. To think I had been genuienly looking forward to checking in with you about it, too. Woops. I also forgot the Semi-finals were on yesterday. I'm not even sure how many countries are actually still in it. I've already seen a few news pop-ups about boycotts without actually clicking them. Maybe 10 was the latest number that refused.

Ooh, imagine if the confidence and ego wasn't backed up by loosely veiled tongue-in-cheek remarks, sarcasm, irony and self-hate. It would be a truly dangerous and alluring cocktail.

If I get around to doing any eurovision watching i'll surely post anything worth a listen, anyway. I think last year was a bit of a dissapointing standard overall, though.

And i'm really, genuinely not sure anyone will ever top this:

So is there even any point, anymore?

When it seems you're out of luck.
There's just one man who gives a f*************ck
⚔️🛡🐎

GirlVersusGame

These violent delights have violent ends & in their triumph die, like fire & powder Which, as they kiss, consume.

Bluesky: justkoshechka.bsky.social

Herculean

Sad to see Stitch leave. To be fair, they were extremely rude to me at some point. I refrained from even responding to them from that point on.

Herculean

GirlVersusGame

These violent delights have violent ends & in their triumph die, like fire & powder Which, as they kiss, consume.

Bluesky: justkoshechka.bsky.social

Herculean

@GirlVersusGame I have to confess I listened to the track, but by now I've forgotten what it was. Sorry.
It's a sad thing that when someone leaves their posts are taken with them. It makes sense of course, but it's sad that no trace of a person that was active here is left behind.

Herculean

GirlVersusGame

@Herculean I noticed that when I saw all of Yousef-'s posts were gone from the collectibles thread, it was a string of a conversation but all I saw were my own replies, it doesn't feel good but I can understand why a persons posts go too, personal data etc. I have the original replies from her in my emails too, not many but I don't think I'll delete them.

@BlAcK_Sw0rDsMaN I just looked up free jazz, spontaneous improvisation sounds like it requires real talent to pull that off, I was only aware of Cecil Taylor's work and didn't know there was another word for that technique. It reminds me of a technique from the seventeen hundreds called Partiment, it's similar in that the artist improvises. My original piano teacher implemented some of the technique to try to guide me away from theory only and develop musical fluency, my playing was too rigid and zeroed in on structure, it helped me to break-away from sheet music. It increased my pattern recognition too. That Partimento technique is rather niche and took an awful lot of dedication but it worked, it's a more personal connection with the music. Compared to a guitar it's a more visual kind of improvisation, the keys are right there, it's that instant recognition and expectation, with a guitar I imagine improvisation becomes almost like an extension of the musician. It certainly seems that way when I watch a Jimi Hendrix performance, it was always something different or a different way of doing it each time.

These violent delights have violent ends & in their triumph die, like fire & powder Which, as they kiss, consume.

Bluesky: justkoshechka.bsky.social

FuriousMachine

@BlAcK_Sw0rDsMaN Hey buddy, hope you are well
Hedvig is quite well-known here in Norway and I've actually seen her live with her Hedvig Mollestad Trio (aka HM3) project, quite by accident (there's a pub I occasionally visit that usually have jazz outfits, both established and up-and-comers, playing live and HM3 happened to play when I was there, once). While not my favourite type of jazz, they are insanely good. The Weejuns project is way too psychedelic for my taste, though (HM3 is more "mainstream", if one can apply that term without sounding derogatory)

FuriousMachine

FuriousMachine

@BlAcK_Sw0rDsMaN Yeah, it was quite the gig🙂

I prefer slow, molasses heavy tunes that wouldn't be amiss on the soundtrack of a proper noir film (or game, as the L.A.Noire soundtrack is one that I listen to quite often). The best example is one of my favourite albums, "Sunset Mission" by Bohren & Der Club of Gore and particularly the first track, "Prowler", which is dripping with the mood I like from that particular subgenre:

Miles Davis' soundtrack for "Ascenseur pour l'échafaud" is also one that gets quite a few spins on the turntable. Other albums by Davis that I like are "Kind of Blue" (with Coltrane, among others) and "Rubberband"

I like trumpets and saxophones, so Coleman Hawkins, Chet Baker and, more contemporary, Chris Botti (who's often been referred to as "Kenny G with a trumpet", which I think is unfair - even though I don't mind Kenny G, either).

And I almost forgot Gare Du Nord's fantastic "Sex 'n' jazz", which they never quite managed to follow up, IMHO.

Those are the ones I can think of off the top of my head right now (I also put on some collections of Sinatra, Billie Holiday and the like every now and then, when the mood hits. Should mention Trombone Shorty as well, though I suppose that is more pop than jazz? I dunno, I just know I like it 😉)

FuriousMachine

FuriousMachine

@BlAcK_Sw0rDsMaN Oh yes, most definitely, a most astute observation While my taste in metal is quite a bit broader than my taste in jazz, two of my absolute favourite metal bands are Paradise Lost and Type O Negative.
While I don't necessarily mind wild and chaotic, I find that my tolerance for it in metal is higher than in other genres, if that makes sense... and even then there's a limit for me.
Same when we get into industrial/synth, my tolerance gets even higher but there's still a ceiling. I love Thirlwell's various Foetus projects ("Enter the exterminator" from "Nail" is one of my favourite tracks in the genre and when he teams up with Raymond Watts aka <PIG> on the synth/industrial/jazz project "Steroid Maximus"... pure awesomeness... but I digress). However, when you get into Tear Garden and Legendary Pink Dots terriotory, then it gets a bit too chaotic for me.

Here's "Enter the exterminator", which is not really chaotic at all, I'm sure you'll agree, but more using harnessing noise into order... and as I'm typing that, I realise that there's no way that I can properly articulate my thoughts properly, so I guess the link will have to suffice

https://open.spotify.com/track/7BwCR1TIwR0vZsGkobx3d5?si=4892...

Also, "Pigswill" from the same album may give further insight into what I'm on about

https://open.spotify.com/track/15HvINdVCI0lNTkMyCVuNO?si=f9d3...

FuriousMachine

GirlVersusGame

These violent delights have violent ends & in their triumph die, like fire & powder Which, as they kiss, consume.

Bluesky: justkoshechka.bsky.social

Tjuz

[Edited by Tjuz]

Tjuz

Ravix

@Tjuz I have read your comment, but Push Square is acting up a touch, so I will do a full reply and listen to the music some other time. But I will say that I am Shocked, Shocked that you called me an American. Where did that come from? 😅 I have an affinity for some american things, some american places and have some family there, but I am far from an actual American. Also, f*** patriotism, f*** the patriarchy, woop, woop, I agree with you on that.

Only country I know/like is Old Town Road. Don't know if i'm exaggerating.

It feels like i'm already doing a full reply, tbh. So yeah, I remember the UK entry, but only after you mentioned musical it clicked. It was definitely a fun song, and it felt like they were unfairly pooped on. I beleive this year a crap UK entry was sent in protest 👀 (I haven't heard it so, I shouldn't judge. But I hear it was basically the UK going back to doing the classic "send what we think the 'stupid europeans' will like" rather than just sending a good song) I also went down a rabbit-hole and discovered that they, at one time, rejected both The Darkness and Biffy Clyro from representing the UK. Are the BBC/committee literally mad?!

I myself Boycotted the event this year, but totally by accident. Or just lethargy. Although I will say that one year (last or the one before) that Isreal sent an entry that was basically "war is bad, bombs are bad, please don't hurt me" 🥺 took the actual b****y p***.

I have been meaning to at least skim through the songs from this year, but again, lethargy. Please do send me some more joyful songs, I clearly need it right now 💀

Because, honestly, I'm more likely to listen to these at the moment:

Apt!

[Edited by Ravix]

When it seems you're out of luck.
There's just one man who gives a f*************ck
⚔️🛡🐎

Tjuz

@Ravix Um, yes. Yes, I most certainly realised you were a Brit, not American. Imagine if I didn't realise this at all. How funny! Ha. Certainly couldn't have happened to me. Fictional Ravix being from Wisconsin was just some creative authorship on my part. Not because I believed real Ravix was an American. if I wrote a story about someone, I'd do my due diligence to research appropriately. Obviously. Not an American. Definitely not. Never was to me. Nuh uh. whistles and walks slowly away

To be fair, I think the UK will get pooped on no matter what you send. You could probably send the greatest song ever created and still get zero points. I don't know what the issue is with Eurovision and you guys. I'd say maybe we're still not over Brexit, but I think that ship sailed a long time before that. I'd love to agree with you in regards to The Darkness or Biffy Cluro, but um, never heard of them. I'm a basic b----, remember? Let's keep it simple and stick to the likes of Adele, Paloma Faith and Elton John if we're talking British artists in particular. I do remember there was a year Rina Sawayama actively campaigned to be the UK's entry, which would've been a fantastic choice as well. I suppose the BBC is just not a fan of sending talented, established artists out there. In case the name Rina Sawayama doesn't ring a bell for you, I'll post a song here since I actually think you might enjoy her stuff. She has a bit an alt-pop vibe compared to my usual full-on pop artists.

I must've seen that Israel entry you're referring to if it was in the last two years, but it clearly hadn't registered to me that that is essentially what they're singing. Yikes. I probably just clocked out as soon as they announced their performance. Maybe it was the perfect time for a toilet break. As for the songs you sent, uh... Ravix, my sweetheart, are you okay? This seems very intense, though appropriately emo as hell. I can't say I hate it, but whew, it's depressing. No lie that you need some happy sounds in your life! Maybe a little Dolly Parton to broaden your country horizons? No?

Tjuz

Metonymy

@BlAcK_Sw0rDsMaN I’ve been listening to the Saros album and, man, I can’t escape the thought that it just might be something you really enjoy. It’s ambient, industrial, progressive and chaotic in equal measure, and a real trip. If you can find the time to dip your toes in, I’d recommend ‘Priestess’ and ‘Depth Charge,’ which should give you a sense of what to expect. It’s by Sam Slater.

[Edited by Metonymy]

“Reason is the natural order of truth; but imagination is the organ of meaning.” -C.S. Lewis

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