The Last Of Us TV Show
Image: Warner Bros.

HBO’s The Last of Us is nearing the end of its second season, teeing up its finale with a crucial, emotional, and heartwarming episode. We have a feeling this will be a fan-favourite episode of the season, but for us it’s showcasing that showrunner Craig Mazin has robbed the story of its structural genius.

This review contains story spoilers.

'The Price', the penultimate episode of this season, fills in the blanks of Joel and Ellie’s interim years between season one and two. It’s a touching segment of the story, including the usual expansions from the show, and fan-favourite recreations from the game.

The Last Of Us TV Show
Image: Warner Bros.

The main appeal of the episode is seeing Pedro Pascal’s return as Joel, who relishes in being a father once more. Covering many of Ellie’s birthdays, we get to see the pair’s relationship morph through the years, living out their halcyon days as a father and daughter duo.

This portion of the episode is beautifully done. Where most of the season has been heartbreak and misery, this is a brief respite. Fans of the game will be glad to see a particular trip to space brought to life, and the performance from Pedro Pascal brought a tear to our eye. We've had some issues with Ramsey's protrayal of Ellie, but here their chemistry with Pascal is fantastic and we adored getting to see this duo happy on screen. However, this is The Last of Us, and people don’t stay happy for too long, and that’s when we get into... interesting territory.

The Last Of Us TV Show
Image: Warner Bros.

One of our favourite things about the game is the way that it drip feeds information. It allows you to build up an opinion of the events you’re playing through, and then reveals something that recontextualises it all.

It’s been clear in many ways that the TV show is trying a more upfront approach with its viewers. Whether it’s the reveal of Abby’s intentions from the show’s opening scene, or including the dance in Jackson so early on, it wants its viewers to know exactly what’s going on. Some of these changes have small implications, and some larger.

The Last Of Us TV Show
Image: Warner Bros.

For us, the most egregious reveal of the latest episode (and the whole season) is that Ellie spoke with Joel the night before his demise, stating her intention to forgive him for his great lie. The issue isn’t the scene itself — although we do have some reservations — but when it happens.

Fans of the game will know that this is a key scene that plays out at the very end of the game. For us, it brought the whole story together, recontextualising our entire journey in the most heartbreaking of ways. It informs both why Ellie has done the things she has done, and why she makes her ultimate decision in the end. Without it, we just don’t think the ending of the game would hit anywhere near as hard as it does.

The Last Of Us TV Show
Image: Warner Bros.

Yet here we have the scene playing out before even the midway point of this two season story. Not only does it beg the question of how the entire story’s finale will unfold without it, but it completely loses its power because we simply haven’t been through enough yet; it hardly feels like Ellie has pushed herself to the limit.

For the most part, we’ve been enjoying this season – more so than Season 1. We’ve questioned some changes, but it’s all been under the assumption that it’s the cost of adapting this story for television.

However, including such a pivotal scene so early on is a creative decision — not one needed for this format — and it’s undermined what made that scene so special. For us, it’s taken one of the most powerful moments in the game, and made it nothing more than a halfhearted reveal.


But what did you think of the latest episode of The Last of Us? Do you think these structural changes were the right move? Let us know in the comments below.